We will use the add_executable command to create the executable target, and target_link_libraries to indicate what libraries we are using: add_executable(myawesomecli main.cpp) Now that we have a library, we want to use it in our commandline tool. ![]() Same thing for more information about targets, transitive usage requirements and the buildsystem in general, you can take a look at the documentation here. Other types of libraries exist but won't be covered in this article, refer to the documentation for an exhaustive list. This is done by calling add_library without sources and the INTERFACE keyword, for example add_library(myheaderonlylib INTERFACE). In the case of a header only library, you need to tell CMake that no compilation is required by creating an interface library. ![]() This means that when linking our myawesomelib, we will be able to include myawesomelib.h, and we will also be able to include it from myawesomelib.cpp. PUBLIC means it is both used by the target and propagated to its dependents.INTERFACE means the property will be propagated but not applied to the target, it is only used as part of the interface.PRIVATE means there is no propagation and the property is only applied to the target.There are 3 keywords controlling the propagation: Some of those properties are called transitive usage requirements and can be propagated from one target to another when a dependency is declared. In CMake, targets have a list of properties that are used when building, and you can populate those using various commands. You probably wonder what the PUBLIC parameter means. target_include_directories(myawesomelib PUBLIC include) Target properties and transitive usage requirements This is done with target_include_directories. Since we put our public headers in a different directory than the other source files, we'll need to tell the compiler where to find those. Note that we will be using the pitchfork convention for file layout. You can start by telling cmake what files are used to build the library. Let's say we want to create a project with a library, and a commandline interface application using it. Those can be created respectively using the commands add_executable, add_library and add_custom_target.ĭependencies between targets can then be defined to determine the build order and link commands. # This is a single line comment Targets The different types of targetsĪ target usually is an executable or a library, but can also be a custom target if your project needs to run some custom tools. 0 LANGUAGES C CXX) CommentsĬomments start with the character # and can be multiline ( bracket comments) if following the bracket_open syntax. This can be done easily with the project command: project(YOUR_PROJECT_NAME VERSION 0.1. Then, you'll want to specify the name, languages and version (needed for packaging purposes). Please do not use something older than 3.1, which dates back to 2014! cmake_minimum_required(VERSION 3.14) Project description ![]() In our case we choose CMake 3.14 as it is not too old and supports most recent features. This is important because CMake can have different behaviours based on its versions, which are named policies.ĭepending on the features you will be using, you might need to ask for more recent versions of CMake. The first thing you will need in it, is to specify the minimum version of CMake you will be using. CMake uses a file named CMakeLists.txt, and it is written in its own scripting language. The CMakeLists.txt fileĪll build systems require some kind of entrypoint for the definition of the project. This is the first article of a mini series related to build systems and continuous integration. We hope to answer this question so that the C++ community can thrive, and make it easier for everyone to integrate any library in a project. So while CMake is far from perfect, for now, it does the job.īut how does one write a good CMake project? It also requires no additional dependency such as Python which usually makes it a tiny bit easier to install for Continuous Integration on platforms such as Windows. We based this choice on the fact that most of the ecosystem is using CMake, so IDEs now have decent support for it, so do most libraries and major package managers. There are many (relatively) new (meta) buildsystems around lately such as build2 or meson. Cmake,tutorial,C++,buildsystem Why CMake?Īt siliceum, we decided to use CMake for our C++ based projects.
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Then Customer B comes on Tuesday and gets the same 7-day countdown timer (until the next Tuesday).Ī static countdown timer simply won’t work for that kind of scenario. So let’s say you want to run a 7-day only deal from when your customer first sees the promotion.Ĭustomer A visits your page on Monday and sees the countdown timer starting at 7 days (or until the next Monday). When a visitor reaches your page, they’d get a popup like the ones we’ve seen so far. Instead, you’re giving your visitors a certain amount of time to take you up on an offer starting when they first see the promotion. It’s different than a static countdown timer because there is no fixed end date. In that case, you’ll need a dynamic countdown timer.Ī dynamic countdown timer is perfect for attracting new visitors. Again, the date will always be the same for everyone visiting your site:īut in some situations, you don’t need a fixed end date. Static countdown timers are also awesome for product launches. Since the promotion will end at the same time for everyone, a static countdown timer is all you need. These are popular around the holidays when you’ll be running special discounts and promotions: Mostly because they’re the easiest to set up, track, and run.Ī static countdown timer means that your countdown will have a firm end date and time for all of your visitors. Static countdown timers are the most common countdown timers used. That’s because the same principles that make countdown timers so effective for lead generation, also make them an excellent tool to get your email subscribers to take action.īut before we dive deeper into that, let’s talk about two different types of countdown timers that you can start using today. They also make a great addition to your email marketing strategy, too. That said, countdown timers aren’t limited to your website. And that means some pretty cool results for your marketing campaigns. Not only does the timer add some visual movement to your campaign, but it also creates a sense of urgency. With so many online businesses fighting for your attention, a countdown timer is the perfect way of getting your visitors to notice a special deal. You’ve likely seen countdown timers in action before:Ĭountdown timers are super effective. It builds a sense of urgency and scarcity. Let’s get started! What Is a Countdown Timer Campaign?Ī countdown timer campaign is just like any other lead capture optin but with one crucial difference: there is a live timer showing visitors that a promotion will soon expire or indicates that an event will begin soon.Įither way, a countdown timer always serves the same function. How to sync an email and floating bar countdown timer for a targeted campaign.How to combine your email countdown timer with OptinMonster campaigns.So, in today’s post, we’re going to look at a few things: ![]() Visually showing your audience that an offer is only available for a limited time or that a new product is close to launching is an excellent way to engage them. ![]() That’s the same anticipation that we, as marketers, hope to capture with email countdown timers. Why? Because that small bit of anticipation can boost sales in a big way. But as you counted down from 5, did you feel that small tingle of anticipation building up? You’re not sure what it is, and no promises were made. Right now, you’re probably expecting something big to happen. ![]() Today, with processing power to spare, several companies have virtualized the scopes. One such firm is Divergent Media with their product called ScopeBox. I don’t have a hardware scope to compare to, so I can’t promise you everything you monitor with ScopeBox would be 100% accurate, but so far, it has proved more than adequate for getting properly exposed video up to our IMAG screens. The best part about the app is that it’s all of $99. We already had the Mac, and it took another $275 or so to get the Decklink installed. ![]() So for under $400, I have a very capable software scope solution that works quite well. If you don’t have any way of monitoring your video, I strongly recommend you look at something like this (Blackmagic also has a similar solution called UltraScope, though it’s hardware & software, and thus more expensive). We had an issue with the software not recognizing both cards, and support has been very responsive to getting us fixed up. I love supporting the small developer community, so check them out at. This post is brought to you by CCI Solutions. With a reputation for excellence, technical expertise and competitive pricing, CCI Solutions has served churches across the US in their media, equipment, design and installation needs for over 35 years.At NAB 2012 I saw three new cameras that have four new recording codecs. There were also additional new cameras that I didn’t check out. There were also new codecs for existing cameras. That’s not counting the new stand alone recorders and other devices. ![]() Pg_dump -inserts -h HNAME -p PNUMBER -d DBNAME -U UNAME > db_backup.sql pg_dumpall -inserts -h HNAME -p PNUMBER -U UNAME > cluster_backup.sql ![]() This is slower ( INSERT needs to pass by the parser, planner, etc.), but will work regardless of whether your tables already contain some of the data in them. ![]() In this an INSERT sql query is created for each entry, instead of a single COPY command with all the entries. COPY public.enduser (id, name) FROM stdin ĬOPY public.enduser (id, name) FROM stdin Ī practical solution is to use either of the -inserts or -column-inserts flags with pg_dumpall or pg_dump. If you manually edit the backup sql file and duplicate the COPY command, along with the delimeter for the input stream, for each entry it will succeed despite some entries already existing in the table. A failure occurs if a given entry already exists in the given table. If any of the entries fed to the single COPY command fails, all of them fail. The COPY command is set to read from stdin with all the data being written to sdtin in one go. Pg_dump -h HNAME -p PNUMBER -d DBNAME -U UNAME > db_backup.sql pg_dumpall -h HNAME -p PNUMBER -U UNAME > cluster_backup.sql When creating a backup with pg_dumpall or pg_dump it will create a plain sql backup and use the COPY command to inject the data into the relevant tables. Up to now I've been successfully using a syntactic schema such as pg_dump app_environment > /archive/yymmdd.sql then on restore psql app_environment < /archive/yymmdd.sql How exactly (what parameters) was the backup taken and how exactly are you restoring? How can one then restore from psql with cases of foreign key constraints, if the database tables and columns are already created? channels is after channelproducts both alphabetically and in the file and thus I can understand why postgres complains about having to create a child without a parent.Ĭaveat: the foreign key is being generated automatically by rails 4.2: I could remove the problem at the source but that still does not really solve the problem. Interestingly enough, I've noted that all these instances are popping up because of the sequence of loading. An example: ERROR: insert or update on table "channelproducts" violates foreign key constraint "fk_rails_dfaae373a5"ĭETAIL: Key (channel_id)=(1) is not present in table "channels". ![]() In restoring a database from a pg_dump, a number of errors are being generated and the whole table is subsequently being ignored. Using his nickname for Williams, DMC added, "So Doc is just taking what was already being done and applying it to where it was needed."Īnd while Hip Hop Public Health focuses on the U.S., international hip-hop artists have infused public health messaging into their music as well. He took his mic, sprung to his feet, and launched into the alphabet song, concluding with, "Now you know your ABC's!" Reacting to the applause, he shouted, "You know what I'm saying!?" At the Skoll World Forum, DMC, egged on by Williams sitting beside him, bet that everyone in the audience had learned something fundamental through "one of the greatest hip-hop songs in the history" - the singsong ABC song. Everything about hip-hop uniquely has a way to inspire people into transformation." There's something universal about hip-hop, says DMC, who serves on the advisory council of Hip Hop Public Health: "Old, young, white, Black, even if you don't understand English, you can relate to the feeling of it. Darryl "DMC" McDaniels, a hip-hop pioneer formerly in the seminal group Run-DMC, says "it speaks in a youthful, fun, understandable way" while packing the intensity of punk rock or rock and roll. The team at Hip Hop Public Health says that hip-hop offers something extra when it comes to the information they're trying to relay. "Music has powerful neurological effects on our brains," says Williams. ![]() For patients with a stroke, we use melodic intonation therapy to help them to speak," which refers to hitching spoken words and phrases to different pitches and rhythmic patterns to restore speech. "We use it for agitated patients with delirium - we use music to calm them down instead of using restraints. "Music helps us to learn, music augments our memories, music lowers our stress," he explains. Williams, now a neurologist at Columbia University, says that music has a role to play in medicine generally. In this anniversary year, Skoll wanted to call attention to this lesser known part of hip-hop history - which continues to thrive in 2023 with new rhymes and expanded programming for young people. "And that's the power of hip-hop."Ī year later, the organization Hip Hop Public Health was born, co-founded by Williams and Fresh. "Imagine that fourth, fifth and sixth grade children, through a hip-hop intervention, were able to do what most people can't do in the setting of that drama and that trauma," said Williams at the Skoll World Forum held in Oxford, England, last month at a session devoted to the 50th anniversary of the musical genre. Williams says this knowledge translates into saving lives in a high-risk community like Harlem. They reported that of the 582 fourth, fifth and sixth graders in Harlem that they worked with, most learned where a stroke occurs in the body, what the classic symptoms of stroke are and how to take urgent action. He and his colleague published a scientific paper in Stroke, a publication of the American Heart Association, demonstrating that efficacy. "When I heard those stroke symptoms in the hook of that track, I knew that there was no way this wasn't going to be just sticky, but it was also going to be contagious. Williams says it was clear right away that it was going to be a winner. It took them weeks to get the beat and the lyrics of "Stroke Ain't No Joke" right, but once they had it locked in, "Doug went into the studio and I think he knocked it out in a few days," says Williams. This is what Williams and Fresh were trying to do in that Harlem studio. "And yet in my mind, we hadn't fully leveraged it for public health." ![]() "Music has always been able to diffuse not just through our personal lives but across the world," he says. Our problem is often scaling those answers." To Williams, music, and hip-hop in particular, could serve as a powerful tool. "Our problem is not coming up with the answers. "There was a lot of skepticism about whether this type of work could lead to a fruitful, productive" career, he admits.īut Williams knew when it came to more traditional public health interventions, "they don't diffuse into society" as easily. Williams wanted to demonstrate that hip-hop could be used for public health interventions. Their goal was to create a hit but with an unusual lyrical premise - to teach people how to detect stroke symptoms and respond appropriately. "We would be going over different beats, different sounds." "I would be with Doug for hours and hours into the wee hours of the morning," Williams recalls. Each evening, he'd finish up his work as a physician at Harlem Hospital Center and walk seven blocks to the studio of hip-hop artist and "The Original Human Beat Box" Doug E. Olajide Williams felt like he had two jobs. Models, choosing between Gaia-HQ and Artemis, adjusting in the meantime your video scale, width, and height. From there, head to the right side of the window where you'll find various options. Once you open the application, simply drag and drop your video into the highlighted pane. By analyzing various samples and executing numerous enhancement techniques, the creators behind the app have managed to perfect the mechanism behind video enhancement techniques. The magic lies behind the highly studied algorithm. The app attempts to attract users that have less experience in video editing as well. There's not much to choose from, but that is great in this case. Just as you open the application, you'll notice the interface is fairly simple. Still, like in all similar cases, the whole thing depends on the app as much as it depends on the footage you attempt to improve. In theory, the app can manage to upscale up to 8K with pretty convincing results. The main idea behind the application is that it offers users the possibility to upscale the footage and increase its quality by applying a series of machine-calculated algorithms, hence the AI in the program's name. Topaz Video Enhance AI, as the name suggests, is all about offering you the right tools for improving your footage. In such cases and many other similar scenarios, you might be tempted to upscale your content and alter it to fix at least a part of its problems. Videos shot ages ago might look awful on current-gen displays. It's not about creating the content as much as it is about finding the best way to show it on various setups. Dealing with videos from various sources is quite often difficult. ![]() ![]() Several other minor switches in the lineup followed in the next few years and, in 2007, they featured Mark Stein on vocals/keyboards instead of Pascali. These reunions often had differing lineups, always anchored by Carmine Appice and usually Tim Bogert, although the latter opted out of an early-'90s incarnation.Īt the turn of the millennium, the group - featuring Appice, Bogert, keyboardist Bill Pascali, and guitarist Vince Martell - launched a more serious comeback heralded by the 2002 album The Return. Vanilla Fudge reunited in 1984 for the poorly received Mystery album, and, over the course of the next two decades, Vanilla Fudge would regroup for tours. Appice went on to become an active session and touring musician, working with a variety of rock and hard rock artists. Bogert and Appice first formed the hard rock group Cactus, then later joined Jeff Beck in the aptly named Beck, Bogert & Appice. farewell dates and disbanded in early 1970. Following the release of their final album, Rock & Roll, Vanilla Fudge played a few U.S. Exhausted by the constant touring, the band decided that their late-1969 European tour would be their last. After part of the band recorded a radio commercial with guitarist Jeff Beck, an idea was hatched to form a Cream-styled power trio with plenty of individual solo spotlights. In 1969, the band kept touring and released their first album without Morton, the expansive, symphonic-tinged Near the Beginning. The band supported it by touring with Jimi Hendrix, opening several dates on Cream's farewell tour, and later in the year, touring again with the fledgling Led Zeppelin as their opening act. It was followed by Renaissance, one of Vanilla Fudge's best albums, which also hit the Top 20. That summer, Atco reissued "You Keep Me Hangin' On," and the second time around it climbed into the Top Ten. Despite its somewhat arty, indulgent qualities, the LP was a hit, climbing into the Top 20. Things started to pick up for them in 1968: early in the year, they headlined the Fillmore West with the Steve Miller Band, performed "You Keep Me Hangin' On" on The Ed Sullivan Show, and released their second album, The Beat Goes On. "You Keep Me Hangin' On" didn't perform as well as was hoped, but the band toured extensively behind its covers-heavy, jam-oriented debut album Vanilla Fudge, which gradually expanded their fan base. The band settled on Vanilla Fudge, after a favorite ice cream flavor. Impressed by their heavy, hard-rocking recasting of the Supremes' "You Keep Me Hangin' On," Morton offered to record the song as a single the results landed the group a deal with the Atlantic subsidiary Atco, which requested a name change. In early 1967, their manager convinced producer George "Shadow" Morton (who'd handled the girl group the Shangri-Las and had since moved into protest folk) to catch their live act. They got so elaborate that by the end of the year, drummer Brennan was replaced by the more technically skilled Carmine Appice. Inspired by the Vagrants, another band on the club circuit led by future Mountain guitarist Leslie West, the Pigeons began to put more effort into reimagining the arrangements of their cover songs. In early 1966, the group recorded a set of eight demos that were released several years later as While the Whole World Was Eating Vanilla Fudge, credited to Mark Stein & the Pigeons. They built a following by gigging extensively up and down the East Coast and earned extra money by providing freelance in-concert backing for girl groups. Organist Mark Stein, bassist Tim Bogert, and drummer Joey Brennan soon shortened their name to the Pigeons and added guitarist Vince Martell. Originally, Vanilla Fudge was a blue-eyed soul cover band called the Electric Pigeons, who formed in Long Island, New York, in 1965. While the band did record original material, they were best-known for their loud, heavy, slowed-down arrangements of contemporary pop songs, blowing them up to epic proportions and bathing them in a trippy, distorted haze. ![]() Vanilla Fudge were one of the few American links between psychedelia and what soon became heavy metal. Hiring him will cost 4 Candles of Hope, and he will replace a hero of your choice. Even upon unlocking him, players would need to encounter his poster at the Inn. Unlike the other characters in the game, players can't immediately hire the Bounty Hunter at the start of the run. Look instead to those battered souls who have known fear and failure in ample portion, but rise again to reclaim a glimmer of hope from the spreading stain of the Darkest Dungeon." - The Narratorīounty Hunter was teased in September last year, Bounty Hunter was a fan favorite and players are happy to see a familiar face return to the roster. The gutters brim with poets, and decency lies burning in the street. In Darkest Dungeon 2, Wayne June reprises his role as the narrator, as well as its unique combat mechanic that is now transformed, "tuned-up", and it will feature a "completely different" structure involving a "grueling journey" instead of dungeon-delving in a single locale. The game was previously teased in February of 2019 with a different title, featured, "The Howling End". It will launch on the Epic Games Store in early access in Q3 2021. The greatest dangers you face, however, may come from within.ĭarkest Dungeon 2 is the upcoming sequel to Darkest Dungeon. Form a party, equip your stagecoach, and set off across a decaying landscape in a last gasp attempt to avert the apocalypse. He did mention during a Q&A at Fan Expo Vancouver that production could start on a new film later this year, although this is not substantiated by any other information.Darkest Dungeon 2 Wiki Guide: Darkest Dungeon 2 All Heroes, Weapons, Armor, Quirks, Trinkets, Enemies, Boss Guides, Builds, and Walkthrough. Darkest Dungeon II is a singleplayer roguelike road trip of the damned. This is especially true for beloved star Bruce Campbell, who announced that he was retiring from playing Ash following the series' cancelation, and who has been outspoken about how difficult it was to greenlight the show in the first place. Evil Dead, but it seems as if the rise and fall of this continuation have caused fatigue for those involved. Even that proved how niche the Evil Dead fandom was when the series was canceled by its network, Starz, due to low ratings.Įvil Dead 4 (or Army of Darkness 2) was perhaps a more viable option before Ash vs. The healthy profits of the remake raised hopes for a potential sequel to the original trilogy, but any ideas for this were eventually incorporated into a more financially viable television show. Because of this, Sam Raimi still struggled to get funding for another Evil Dead movie despite the director's career success. The legacy of Evil Dead is so resilient that it's hard to imagine that Army of Darkness was a box office bomb upon its initial release. Evil Dead implied that Raimi would have revisited this idea if the show never got canceled, but the story was once again stopped in its tracks from continuing on. The finale of the final season of Ash vs. Originally, Raimi had intentions of continuing the series in a futuristic, dystopian England, but this idea never came to fruition. Thus, making a fourth Evil Dead movie was always an uphill battle. ![]() Related: Army of Darkness 2 Would Have Taken Ash To The Future Unfortunately, rumors of a sequel that would merge narratives were shot down by Alvarez. Finally, there were the rumors of how director Fede Alvarez's 2013 remake fit into the larger Evil Dead universe, bolstered by a post-credits appearance by Ash. Evil Dead, he was unable to refer to events in Army of Darkness until he had worked out the legal details. As Sam Raimi was developing the television show Ash vs. Army of Darkness, the third entry, was more directly tied to its predecessor, but legal issues with Universal Studios over the film's rights led to further confusion in the future. The entire Evil Dead franchise has embraced fluid continuity ever since Evil Dead II, which retcons the events of the first film and thus is as much a remake as it is a sequel. ![]() This allowed the machine learning essentially to fill in the gaps of the original image. If a computer is given a series of images of different bananas, combined with some training, it might be able to tell if an unknown image does or doesn’t contain a banana.Īstronomers discover ultramassive black hole using new techniqueĬomputers using PRIMO analyzed more than 30,000 high-resolution simulated images of black holes to pick out common structural details. The algorithm relies on dictionary learning in which computers create rules based on large amounts of material. Medeiros and other EHT members developed Principal-component Interferometric Modeling, or PRIMO. ![]() The width of the ring in the image is now smaller by about a factor of two, which will be a powerful constraint for our theoretical models and tests of gravity.” “Since we cannot study black holes up-close, the detail of an image plays a critical role in our ability to understand its behavior. “With our new machine learning technique, PRIMO, we were able to achieve the maximum resolution of the current array,” said lead study author Lia Medeiros, astrophysics postdoctoral fellow in the School of Natural Sciences at the Institute for Advanced Study in Princeton, New Jersey, in a statement. NASA, ESA, Zachary Schutte (XGI), Amy Reines (XGI), Alyssa Pagan (STScI)Ī black hole fueling star birth has scientists doing a double-take The bright region at the center, surrounded by pink clouds and dark dust lanes, indicates the location of the galaxy's massive black hole and active stellar nurseries. The new, more detailed image, along with a study, was released on Thursday in The Astrophysical Journal Letters.ĭwarf starburst galaxy Henize 2-10 sparkles with young stars in this Hubble visible-light image. This array effectively created a virtual telescope around the same size as Earth.ĭata from the original 2017 observation was combined with a machine learning technique to capture the full resolution of what the telescopes saw for the first time. To capture an image of the black hole, scientists combined the power of seven radio telescopes around the world using Very-Long-Baseline-Interferometry, according to the European Southern Observatory, which is part of the EHT. The project was named for the event horizon, the proposed boundary around a black hole that represents the point of no return where no light or radiation can escape. More than 200 researchers worked on the project for more than a decade. The Event Horizon Telescope Collaboration, called EHT, is a global network of telescopes that captured the first photograph of a black hole. In 2017, astronomers set out to observe the invisible heart of the massive galaxy Messier 87, or M87, near the Virgo galaxy cluster 55 million light-years from Earth. A machine-learning technique was used to enhance the Event Horizon Telescope Collaboration's image (left) of the supermassive black hole at the center of the galaxy Messier 87 and produce a sharper image. |
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